The Weather Woes of a Running Event Photographer
Let's face it: outdoor running events are a weather roulette. One minute you're basking in golden hour glory, the next you're battling a monsoon that would make Noah nervous. I've been there, done that, and got the t-shirt (which, by the way, took three days to dry out).
The Miami Marathon was one of my worst experiences. Picture this: clear skies at the starting line, biblical downpour by mile 10, and me, looking like a drowned rat, desperately trying to keep my camera dry with a hastily purchased poncho. Not my finest hour, folks.
But here's the kicker: weather isn't just an inconvenience. It's a gear-killer, a shot-ruiner, and if you're not prepared, it can be a career-ender. So let's talk about how to weather-proof your shoot like a pro.
Gearing Up: Your Weather Defense Arsenal
Weather-Sealed Cameras and Lenses: Worth Their Weight in Gold
First things first: if you're serious about outdoor sports photography, invest in weather-sealed gear. It's like having an umbrella built into your camera. But here's a little secret: those fancy "weather-sealed" labels don't mean your camera can go scuba diving. They're more like a good raincoat - great for a drizzle, not so much for a dip in the pool.
My go-to setup? The Canon R3 for its tank-like build, paired with the equally robust RF 70-200mm f/2.8L IS III USM lens.
Pro Tip: Those IP ratings on your gear? They're not just random numbers. IP67 means your camera can withstand dust and water immersion up to 1 meter for 30 minutes. Handy to know when you're contemplating whether to risk that puddle shot!
Rain Sleeves: Your Camera's Raincoat
Now, let's talk about rain sleeves. These transparent plastic covers are like cheap ponchos for your camera, and they're absolute lifesavers. I always pack a couple of Op/Tech Rain Sleeves in my bag. They're light, cheap, and have saved my bacon more times than I can count.
But here's a secret the fancy camera stores don't want you to know: in a pinch, a plain old trash bag and some rubber bands work almost as well. I once shot an entire 10K in a downpour using this MacGyver-style setup, and my gear came out drier than most of the runners!
Lens Hoods: Not Just for Looking Cool
Lens hoods aren't just for blocking sun flare (though they're great for that too). They're your first line of defense against rain droplets on your lens. Plus, they add an extra layer of protection if you accidentally bump your camera against a railing while jostling for that perfect finish line position.
UV Filters: The Unsung Heroes
Slap a good quality UV filter on your lens, and thank me later. It's much cheaper to replace a scratched filter than a scratched lens. Plus, it adds an extra layer of protection against moisture and dust. Just make sure you get a good one - a cheap filter can degrade your image quality, and that's the last thing we want.
Shooting in the Storm: Techniques to Keep You Clicking
Alright, so you're geared up and ready to face the elements. But how do you actually shoot in this mess? Here are some tricks I've learned the hard way:
Rainy Day Blues
When shooting in the rain, bump up your shutter speed. Water droplets are sneaky little motion blurrers. I usually aim for at least 1/1000th of a second to freeze those raindrops.
Also, don't be afraid to bump up your ISO. A slightly grainy shot is better than a blurry one. Modern cameras handle high ISOs like champs, so don't be shy about pushing it to 3200 or even 6400 if needed.
Windy Weather Woes
High winds are the bane of every photographer's existence. They shake your camera, blow dust everywhere, and make you question your career choices. Here's how to deal:
- Use your body as a windbreak. Turn your back to the wind and create a little calm zone for your camera.
- Stabilize, stabilize, stabilize. Monopods are your best friend on windy days. They're more mobile than tripods and can double as a walking stick when you're trudging through muddy fields.
- Burst mode is your buddy. Take multiple shots and increase your chances of getting a sharp image.
The Moisture Menace: Humidity and Condensation
Let me tell you about the time I almost cried at the start line of the Seattle Marathon. Not because of the excitement, but because my lens looked like the inside of a steam room. Humidity and sudden temperature changes can fog up your lens faster than you can say "cheese."
Here's how to fight the fog:
- Silica gel packs are your new best friends. Toss a few in your camera bag to absorb moisture.
- The plastic bag trick: When moving from air-conditioned areas to humid outdoors, put your camera in a plastic bag before you step outside. Let it acclimatize slowly to avoid condensation.
- Hand warmers aren't just for your pockets. Wrap one around your lens to keep it slightly above the dew point and avoid fogging.
Temperature Extremes: From Freezing Fingers to Melting Memory Cards
Whether you're shooting the Iditarod or the Badwater Ultramarathon, extreme temperatures present unique challenges.
Cold Weather Conundrums
Batteries hate the cold. They'll drain faster than a runner's water bottle. Here's how to keep them kicking:
- Keep spare batteries in an inside pocket, close to your body heat.
- Use hand warmers in your camera bag to create a cozy little battery sauna.
- If your camera starts acting up, it might just be cold. Wrap it in a scarf or stuff it under your jacket for a few minutes to warm it up.
Hot Weather Hazards
On the flip side, extreme heat can cause your camera to overheat and shut down. I've had it happen before with the crazy Florida heat. Not ideal when you're trying to capture that finish line moment.
- Use a white or reflective camera strap to reduce heat absorption.
- Give your camera breaks in the shade or an air-conditioned area if possible.
- Avoid changing lenses in dusty conditions - hot sensors are dust magnets!
After the Storm: Post-Shoot Care
Alright, you've braved the elements and got the shots. But your job isn't over yet. Proper post-shoot care can extend the life of your gear significantly.
- Dry your gear thoroughly. Use a clean, lint-free cloth to wipe down your camera and lenses.
- If your gear got really wet, consider using a dehumidifier or leaving it in a bag with silica gel packs overnight.
- Clean your sensors and lenses carefully. Water spots can be a pain to remove in post-processing.
The Emergency Weather Kit: Be Prepared Like a Boy Scout
Here's what's always in my "oh crap" kit for weather emergencies:
- Microfiber cloths - for wiping down gear
- Ziplock bags - impromptu rain covers
- Silica gel packs - moisture's worst enemy
- Hand warmers - for batteries and lenses
- Rubber bands - to secure makeshift rain covers
- Gaffer tape - because it fixes everything
And here's an unexpected addition: a shower cap from a hotel. It makes a great quick rain cover for your camera!
Weathering the Storm: A Personal Tale
Let me leave you with a story that illustrates why all this preparation matters. I was shooting a trail ultra in the mountains when a freak thunderstorm rolled in. Runners were slipping in mud, lightning was crashing around us, and I was getting some amazing photos.
But here's the thing: half the photographers had to bail because their gear couldn't handle the rain. Me? I was able to keep shooting, protected by my rain sleeve and weather-sealed camera.
The moral of the story? In the world of sports photography, it's not just about having an eye for the shot. It's about being prepared to get that shot, come rain or shine (or snow, or wind, or blistering heat).
Wrapping It Up: Stay Dry, Shoot Wet
So there you have it, folks. The secrets to weatherproofing your sports photography that the pros don't want you to know (mostly because we're too busy trying to stay dry ourselves).
Remember, at the end of the day, the best camera is the one that's still working when the weather turns nasty. With these tips and tricks, you'll be able to keep shooting long after fair-weather photographers have packed up and gone home.
Now get out there and make some weather-defying magic! Just don't forget your shower cap.